To Tibetan Buddhism in the eight auspicious design origin. We explored the social significance and artistic value that the eight auspicious things brought to people and even the world in ancient and modern times, and reconstructed the eight treasures in the context of modern design by trying to improve and extend. We highlight the graphic logic of Mandala and Altar city, and select the texture of the black thangka. Finally, a complete set of activated patterns was formed to complete the rebirth of the graphics, and product modeling was carried out, and then the pattern art was combined with the model to form beautiful and functional ornaments. After having a basic understanding of the appearance of gold thangka and Eight treasures, we decided to use modern language and our own understanding of the graphics and their style to modernize and combine them with new techniques and elements to present a new look.

许雅睿

于弈